#N canvas 567 32 602 647 12;
#X declare -stdpath ./;
#X text 37 20 PHASER;
#N canvas 411 147 659 385 chord 0;
#X obj 82 97 -~ 0.5;
#X obj 82 146 clip~ -0.5 0.5;
#X obj 82 169 cos~;
#X obj 216 260 hip~ 5;
#X obj 216 323 outlet~;
#X obj 82 122 *~ 3;
#X obj 82 74 phasor~ 220;
#X obj 216 97 -~ 0.5;
#X obj 216 146 clip~ -0.5 0.5;
#X obj 216 169 cos~;
#X obj 216 122 *~ 3;
#X obj 351 100 -~ 0.5;
#X obj 351 149 clip~ -0.5 0.5;
#X obj 351 172 cos~;
#X obj 351 125 *~ 3;
#X obj 486 100 -~ 0.5;
#X obj 486 149 clip~ -0.5 0.5;
#X obj 486 172 cos~;
#X obj 486 125 *~ 3;
#X obj 216 74 phasor~ 251;
#X obj 351 77 phasor~ 281;
#X obj 486 77 phasor~ 311;
#X text 142 32 test sound for phaser;
#X obj 216 293 *~ 0.2;
#X connect 0 0 5 0;
#X connect 1 0 2 0;
#X connect 2 0 3 0;
#X connect 3 0 23 0;
#X connect 5 0 1 0;
#X connect 6 0 0 0;
#X connect 7 0 10 0;
#X connect 8 0 9 0;
#X connect 9 0 3 0;
#X connect 10 0 8 0;
#X connect 11 0 14 0;
#X connect 12 0 13 0;
#X connect 13 0 3 0;
#X connect 14 0 12 0;
#X connect 15 0 18 0;
#X connect 16 0 17 0;
#X connect 17 0 3 0;
#X connect 18 0 16 0;
#X connect 19 0 7 0;
#X connect 20 0 11 0;
#X connect 21 0 15 0;
#X connect 23 0 4 0;
#X restore 67 288 pd chord;
#X obj 66 560 output~;
#X obj 83 352 rpole~;
#X obj 83 327 rzero_rev~;
#X obj 83 401 rpole~;
#X obj 83 376 rzero_rev~;
#X obj 83 449 rpole~;
#X obj 83 424 rzero_rev~;
#X obj 83 498 rpole~;
#X obj 83 473 rzero_rev~;
#X obj 66 528 +~;
#X obj 238 444 phasor~ 0.3;
#X obj 238 476 expr~ 1 - 0.03 - 0.6*abs($v1-0.5)*abs($v1-0.5);
#X text 31 171 Many variations of this have been used. A more pronounced effect can be got by using 12 all-pass filters and adding the outputs of the 4th \, 8th \, and 12th one to the original. Various stereo configurations are possible. Some designers have used 6 instead of the 4 stages used here. Controls are often added to set the frequency of sweeping and the range of the all-pass coefficients., f 66;
#X text 330 584 updated for Pd version 0.47;
#X text 31 47 The phaser ranks \, along with fuzz and wah-wah \, as one of the great guitar pedals. A phaser adds an all-pass filtered copy of a signal to the original \, causing phase reinforcement and cancellation at frequencies that depend on the all-pass coefficients. In this example the coefficients range from 0.88 to 0.98 \, controlled by a phasor~ object (no relation). The phasor~ is converted to a triangle wave (abs($v1-0.5)) and then nonlinearly mapped into a suitable range., f 66;
#X obj 424 13 declare -stdpath ./;
#X connect 1 0 4 0;
#X connect 1 0 11 0;
#X connect 3 0 6 0;
#X connect 4 0 3 0;
#X connect 5 0 8 0;
#X connect 6 0 5 0;
#X connect 7 0 10 0;
#X connect 8 0 7 0;
#X connect 9 0 11 1;
#X connect 10 0 9 0;
#X connect 11 0 2 0;
#X connect 12 0 13 0;
#X connect 13 0 4 1;
#X connect 13 0 3 1;
#X connect 13 0 6 1;
#X connect 13 0 5 1;
#X connect 13 0 8 1;
#X connect 13 0 7 1;
#X connect 13 0 10 1;
#X connect 13 0 9 1;
